#Meyer sound studio monitors how to#
#Meyer sound studio monitors driver#
#Meyer sound studio monitors upgrade#
#Meyer sound studio monitors full#

Montreux Jazz Lab, the other paid-ticket venue, presented a diverse range of innovative and imaginative new artists, including Stormzy, Loyle Carner, Phoebe Bridgers, Girl in Red, and Mitski. Also deployed were 14 1100-LFC low-frequency control elements, six 900-LFC elements, four ULTRA-X40 and four ULTRA‑X20 compact loudspeakers, and eight LINA very compact linear line array loudspeakers.Īrtists also featured at Auditorium Stravinski included A-ha, Nick Cave and the Bad Seeds, Bjork (with Sinfonetta de Lausanne), Diana Ross, Dutronc and Dutronc, Van Morrison, and Herbie Hancock. The two main front arrays at Auditorium Stravinksi each comprised 12 PANTHER loudspeakers, with eight of the “L” long-throw horn cabinets over four of the “W” wide-dispersion versions.

“The weight reduction on the main arrays allowed us to increase the number of subs flown behind them, which helped us have even better control over the low frequencies,” he noted.

#Meyer sound studio monitors how to#

In a setting like the Auditorium Stravinski, this is key, and PANTHER is a great example of how to maximize main PA units these days.”įor Reich, the reduced weight of PANTHER, when compared to prior systems, paid immediate dividends. “What impressed me most at first sight were the ‘festival friendly’ cabinet dimensions.

#Meyer sound studio monitors upgrade#

Kudos to Martin and José for their extremely coherent install-front to back, top to bottom, and left to right, the venue sounded the same everywhere.”įestival production manager Marco Güntensperger appreciated the upgrade even before the system was fired up. I could hear everything on them, including all the corrective EQ saved on the console channels from my last gig. “With PANTHER, it’s like mixing on near-field monitors in the studio. “What an amazing system,” exclaimed Bob Coke, who mixed Jeff Beck with special guest Johnny Depp. It behaves exactly the same whether you are mixing loud or at a low level.” It is also exceptionally linear, which is the best thing for me. “The system is extremely precise, consistent and coherent, especially in the upper midrange. “It was pure joy to mix on PANTHER,” said the festival sound coordinator Martin Reich of audioconsulting ag, who also served as FOH engineer for Westerman and Gregory Porter.

PANTHER quickly earned praise for its inherent sonics as well as the way it paired with the impeccable acoustics of the hall. Most of the festival’s headliner concerts are presented in the 4,000-seat Auditorium Stravinski, and this year the venue also had the distinction of hosting the first indoor concerts to be reinforced by Meyer Sound’s new system, the PANTHER large-format linear line array loudspeaker.

#Meyer sound studio monitors full#

Meyer Sound (opens in new tab) also returned to Montreux at full force for its 36th year as a strategic partner and official sound provider, supporting the festival with nearly 300 loudspeakers deployed across 12 venues, indoors and out, large and small.

#Meyer sound studio monitors driver#

Keeping the design, engineering, and manufacturing at the headquarters in Berkeley, California is the Meyer Sound way to ensure that every paper cone, every circuit board, and every driver is handcrafted to meet our extremely demanding standard.During the first two weeks of July, legions of music lovers again descended on the shores of Lake Geneva for the Montreux Jazz Festival, which returned this summer as an iconic musical event with a packed schedule of concerts, club DJ sets, films, and workshops. Manufacturer of Cinema Sound systems, Active acoustic sound systems, Self powered loudspeakers and Digital audio systems. Meyer Sound is a company based in California. Signal to Noise Ratio >110 dB (noise floor 20 dBA at 1 m) You can use the Meyer Sound HD-1 as a near-field tracking and mixing studio monitor, for high-end stereo and surround sound playback systems, for a mastering studio reference monitor, or for surround mixing for post-production. Its high peak power, magnet and voice coil design, and vented cabinet all work to minimize distortion or compression. Individual alignment provides matched pairs with pinpoint imaging and flat low-frequency response to 32 Hz without subwoofers. The HD-1 offers unprecedented accuracy for mixes that translate consistently, including exceptional transparency for fine control of EQ and effects. Alternative for KRK Studio speakersĭesigned for ultra-precise near-field monitoring, the HD-1 is optimized to approximate a point-source radiator, yielding exceptionally broad directivity with a generous “sweet spot.” Its patented circuitry minimizes time delays and deviations from linear phase. Meyer Sound HD 1 Precision Active Studio Monitor SMOOTH COVERAGE PATTERN.